Tag Archive | society of dyers and colourists

End of teaching.

That’s it. The end of teaching time for the semester, for the year. This is bananas.

I got some really good feedback on my SDC project today – I was told that I was very high on the list of people to be entered into the competition, and that I’d produced the best set of presentation boards that Andy had ever seen from me. This was all really great to hear – I feel like the start of this year was really slow for me, and I really didn’t enjoy myself or my projects much, and the SDC project really opened me up and turned things around a bit. I got a bit of constructive criticism, and Andy said that the digitally printed and hand-finished sample I included on my presentation board was much better and more engaging that the plain hand printed one. I agree with him and explained that I’d had many grand plans for my digital prints, but was unable to carry through with them because the prints took for ever to come back. I’d really like to continue to work on my extra fabric samples, but our access to the workshop has been closed off so that the fourth years have enough space and time to work on their final pieces, so I think (depending on time) that I’ll do a bit more paper work and create an extra presentation board with some alternative designs and colour options just in paper.

We’ve had our last Design and the Market session, and now have to produce a 2000 word personal enterprise proposal. We’ve worked through NESTA’s creative enterprise toolkit and had some absolutely fantastic talks from some incredible speakers (Patricia van den Akker came to speak to us and I’ve never taken so many notes so quickly – 6 sides of A4, plus some sneaky phone photos of her slides so I can come back to them later!). My only problem is that throughout the workshops I haven’t really had a solid business idea – I want to design and make things for sure, but I haven’t had that spark of an idea that has ignited a passion in me. I really want to focus on personal branding, because I feel that where ever I end up going after uni (working for a design company, working freelance alongside having a “real” job, or going into business for myself) this would be very beneficial to me. I’ve mentioned in posts before about how I want to “discover who I am” and I feel that identifying my values and passions using the NESTA worksheets has really helped with that, and I’m sure that expanding this idea into my fourth year report will set me up really well. I just have no idea how to go about doing it. I feel a bit like I’ve floated through the workshops without a solid idea and now that I don’t want to write a business plan I’m a bit lost.

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Aposematic.

Red squiggley lines keeps telling me that “aposematic” isn’t a real word, but it absolutely is; I Googled it just to make sure.

ap·o·se·mat·ic

/ˌapəsiˈmatik/
Adjective
  1. (of coloration or markings) Serving to warn or repel predators.
  2. (of an animal) Having such coloration or markings.

This is what I decided to name the collection of textile designs that I produced for the Society of Dyers and Colourists’s live project brief entitled “fashion for the future”. The brief was very open, but we had to work within two constraints: we had to work to a trend forecast from one of the big textile design journals, and we had to strongly consider sustainability or a sense of eco-friendliness in our designs.

The summer 2013 trend “alien paradise” in issue 96 of Textile View really jumped out at me (I’d originally chosen an Art Deco theme, but to be honest I really wasn’t finding it too interesting), saying “This chapter is inspired by the wonderful world of primeval forests and jungles, augmented and enchanted by new technologies. Leaf patterns and the shiny skins of rainforest frogs inspire fabrics and patterns.”

I originally visited Dundee’s botanic gardens to hang around in the hot house and photograph their tropical and carnivorous plants, but found that February isn’t really the ideal time of year for such things. I quickly moved on to looking at rainforest frogs, which I have absolutely fallen in love with. There are so many beautiful pattern and colour variations, and most of the frogs are absolutely tiny and adorable (and poisonous). This area of research obviously lends itself well to the sustainability factor of the brief, so I researched the Amazon rainforest and conservation charities.

I placed my designs into the context of interiors accessories (I do love a good cushion), more specifically kids’ bedroom accessories. I feel that the bright colours and graphic marks I have used would really sit well in a kid’s room, and the subject matter of the prints would help to get the young ‘uns interested in conservation, nature, animals, and travel. I also feel that the handmade element would really add value to my final pieces, and really creates an appreciation in the customer and a bond between them and the finished product, giving a very non-disposable feel to my work.

I hand-printed designs on habotai silk with acid dyes that I mixed myself. I ordered digitally printed silk with my own hand-drawn and Photoshop-coloured-in illustrations of frogs, and my grand plans were to hand print on top with my chosen colours and foil effects, but my prints took over a week to arrive and I received them about three hours before my printing workshop access was stopped, so that’s rather disappointing and I feel as though some of my prints are simply unfinished. However, I am pleased with what I produced in such a short time. I didn’t really know what context I was aiming for when I began printing and chose silk because I felt the delicate, airy, shiny feeling of the fabric was appropriate for my project, and silk really shows colour well; with my context now being kids’ interiors, I wish I had worked with a more durable cotton base fabric.

Here are a few pictures from my sketchbook; there are more (and larger versions) over on Flickr.

And here are my three final presentation boards (A2 in size):


You can’t really tell from the photo, but in between the frogs on the digitally printed fabric I’ve hand-printed lines of gold foil. Also the colours in the photos are a bit off (especially for the context board), but I think it gives a good idea of my project and final designs.